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The
Enlightenments of J. G. A. Pocock
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The Jacques Barzun Prize for the best English-language book in cultural history for the year 2000 has been awarded to J. G. A. Pocock for Barbarism and Religion. The two volumes mark the culmination of a half century of work on early modern British historiography and also the beginning of a major study of Edward Gibbons History of the Decline and Fall of the Roman Empire that will appear serially over the next several years. Over the course of Pococks career the Enlightenment has undergone a considerable transformation as a term describing the eighteenth century, and Pocock himself has made no small contribution to that transformation. The present volumes continue that effort, impeaching the validity of the Enlightenment as a concept or rubric that includes all of eighteenth-century intellectual life. Notice first of all the plural in the title of the first volume, The Enlightenments of Edward Gibbon. Pocock has carved Europe into several geographic and intellectual regions, which do not even conform to national boundaries. Pocock takes it as "a premise of this book that we can no longer write satisfactorily of The Enlightenment as a unified and universal intellectual movement" (Pocock, Barbarism and Religion, vol. 1, p. 12, hereafter cited volume: page). The easiest of the several Enlightenments in which Gibbon shared is the French Enlightenment, bound both politically and linguistically by France itself. Among the members of the French Enlightenment we find the usual suspects, chiefly Voltaire, Montesquieu, and dAlembert. Although the French Enlightenment is the most intuitive, Pococks exposition of it is complex. Pocock makes no attempt to explain the French Enlightenment as a whole. He is not concerned with salon society, Grub Street, la république des lettres, or the formation of a critical public sphere, which have become fashionable in the past decade or so. This is intellectual history, not cultural history (Barzun Prize notwithstanding), and Pocock limits his inquiry to the historiographic currents in eighteenth-century France, and specifically to the historiography that interested the Englishman Edward Gibbon. Thus Montesquieu, Voltaire, and dAlembert are discussed only in terms of their historiography. Philosophes like Voltaire and dAlembert wrote history to account for what Europe was and how it had come to its Enlightened age. Rather than explaining that development in terms of the transformation of civil and ecclesiastical systems or of law and faith they took a more "philosophical" approach. Interested in broad structural changes in society they wrote instead of the history of moeurs et lesprit des nations, of sociability, manners, politeness, and total ways of living. They called it the history of the human spirit. The philosophes began with the premise that culture was the product of mind, i.e. a human creation, and reciprocally that mind was shaped by its own created culture. As culture became more sophisticated so did the capacity of mind itself. Voltaire, e.g. in his Essai sur les moeurs and Siècle des Louis XIV recounted the decline of moeurs in late antiquity when Roman Christians submitted themselves to superstition and priestcraft. The Germanic chieftains who conquered the Romans were no more conducive to Enlightenment, and moeurs languished for a thousand years. Finally in the Renaissance, sociability, toleration, and politeness began to surmount barbaric sectarian fighting as Europeans began to cultivate the arts and sciences. dAlembert concurred with Voltaire, and in a lengthy exposition of the Preliminary Discourse to the Encyclopédie Pocock explains the implications of dAlemberts division of the faculty of mind into memory, reason, and imagination. DAlembert cited the representatives of the three mental faculties historians, philosophers, and poets respectively as unable to communicate with each other, and that inability to communicate resembled the medieval age when intellects failed to communicate and the study of classical Greek and Latin languished. The neglect of the arts, indeed the neglect of mind, was an enabling factor of the millennium of darkness that separated antiquity from the age of Enlightenment. The philosophes represent only one side of French Enlightenment historiography. On the other side are those whom Pocock calls érudits (Gibbon understood it as a term of derision), antiquarians associated with the great scholarly enterprises of seventeenth-century France, the Bollandists, Maurists, and the Academy of Inscriptions. Interested in minute inquiry into language, meaning and context, the érudits developed ways of reading that made every document yield more information that its author put there, extracting meanings that the author did not necessarily intend (1:142, 156). When Mabillon established methods for determining whether monastic charters and other documents were authentic, for example, he reinforced the both authority of those charters and whatever authority had granted them (royal, papal, episcopal, abbatial). The monarchy channelled the efforts of the érudits into instruments of royal power by sponsoring their inquiries via the Academies. That is to say, textual criticism preserved ecclesiastical authority while placing it under institutional and royal scrutiny. Through their studies of the antiquities of church and monarchy the érudits developed methods of historical and philological reconstruction and simultaneously strengthened the monarchy, setting it up as a neo-classical edifica with foundations in Greco-Roman antiquity, late Roman Christianity, and the world of barbarian invaders whom it civilized. Around mid-century the philosophes began to challenge érudite scholarship which had a pedigree dating back to the humanists. Following Blandine Barret-Kriegels four volumes on French Enlightenment historiography Pocock identifies an authority problem among the philosophes who felt disenfranchised by their exclusion from the academies (1). The philosophes aligned themselves against the authority both of the church and of érudition (texts), replacing both with an esprit philosophique. Kriegel writes of la défaite de lérudition, but from the perspective of Gibbon Pocock finds that the disjuncture between philosophes like dAlembert and érudition was not complete. In writing their own history the philosophes relied heavily on the findings of érudite scholarship, but they refused to acknowledge their debt to it (2). From the other side there were érudits who were interested in philosophical history. Nicolas Fréret, president of the Académie des Inscriptions et Belles-Lettres in the 1740s, was able to move across the divide between érudition and philosophy. And standing between the two sides was Montesquieu, both érudite and philosophical. Although he was respected by the philosophes for the philosophical aspects of Lesprit des lois and his association with the Encyclopédie, Montesquieu was not one of them on account of his érudite sympathies and his opposition to Voltaire over monarchy, despotism, and orientalism. In the 1740s both érudits and philosophes began Enlightened critiques of the French monarchy but from different points of view. On behalf of the érudits Montesquieu argued that the arts and sciences could flourish only under liberty and virtue. He indicted the monarchy of Louis XIV as the opposite of that, a despotism, which he exposed through his studies of oriental despotism. On behalf of the philosophes Voltaire defended Louis XIV as a great patron analogous to Lorenzo de Medici, Augustus, and Pericles without whose generosity the progress of letters and polite society could not exist. Decay set in, Voltaire believed, when the monarchy failed to support the arts and sciences. At stake in the methodological difference was the interpretation of the rise of the arts and sciences, of government, law and modern warfare that had put an end to the religious wars of the sixteenth and seventeenth century and the millennium of darkness before that. That is to say, at stake was the interpretation of the progress of the human spirit. Was Enlightenment the product of civil and ecclesiastical order or of the improvement of manners and taste? Gibbon first encountered the French Enlightenment during his exile in Lausanne in the 1750s following his conversion to Catholicism at Oxford. There he read the nouvelles and bibliothèques of the philosophe république des lettres and the érudite Mémoires of the Académie des Inscriptions et Belles Lettres. The balance between the érudits and the philosophes became the problematic in his mind. His first published essay reveals his struggle to sort out the competing agendas in French intellectual life in the mid-eighteenth century. Chapters six through ten of Volume I constitute an extended reading of Gibbons first published essay, his 1761 Essai sur letude de la littérature. Pocock interprets the Essai as a response to dAlemberts Preliminary Discouse to the Encyclopédie, as a defense of érudition against philosophy and to some extent a defense of ancients against the moderns. Although Gibbon later rejected the Essai as a youthful diversion, Pocock believes the essay constitutes a major landmark on the road to the Decline and Fall. The relationship between érudition and philosophical history took a long time to work out, but Gibbons triumph was to forge a synthesis between the two and to impose a narrative upon them both. Yet Gibbon did not share full membership in the French Enlightenment, despite his years in Lausanne and his essays written in French. In fact by Pococks reckoning Lausanne itself was not a part of the French Enlightenment, which was bounded rigidly by the Swiss border. Instead Lausanne formed the southern terminus of a different intellectual and cultural region that encircled France like an early modern Maginot Line, running from the Lake of Geneva, down the Rhine, and across the channel to England. What was the Calvinist heartland in the sixteenth century and remained so in the eighteenth Pocock defines by the heretical and opposition movement that existed in its midst as the "Arminian Enlightenment." This Arminian Enlightenment Pocock sees as a unit that unified intellectuals from a variety of backgrounds through the Arminian critique of orthodox Calvinism. By virtue of his membership in the Arminian Enlightenment Gibbon could move across national, linguistic, and regional boundaries with ease, finding intellectual continuity from Oxford to Lausanne. The Arminian aspect of Calvinist culture had been present since the beginning of the seventeenth century when Joseph Arminius taught that man had a share in his own salvation by exercising his reasonable and social nature, i.e. by his own works and virtues. Arminiuss ideas were rejected as compromising the sovereignty of God at the Synod of Dordrecht in 1614, but his doctrine persisted. Similar reactions against strict Calvinism occurred in all Calvinist cultures, including among the Huguenots, in Geneva, and in Puritan England. It is this reaction that unified the different regions and subcultures into a single Arminian Enlightenment. The Arminian underground emerged into full Enlightenment in the 1680s in the Netherlands with the simultaneous exile of John Locke (from James II), Jean Le Clerc (from Geneva), the Polish Socinians, and the Huguenots of the Refuge. The Enlightenment in the Netherlands emphasized a persons sociability (i.e. his works in society) and rationality (leading to criticism and perhaps skepticism). The Arminian Enlightenment replaced the Calvinist doctrine of human depravity with natural law and religious belief with intellectual debate. In fact even the notion of debate was contentious, because the mere admission that religious truths were open to debate reduced Christ from a spiritual presence to an idea. The very possibility of religious debate implied at least a limited religious skepticism. "Religious belief began to be substituted by the critical reading of texts," says Pocock (1:75), and this criticism was prompted by humanist érudition that tended to historicize all things. Religious dogma and heresy alike were presented as the particular beliefs of particular men acting under particular historical circumstances. The consequences of such érudition were frequently heterodox, not because the ideas produced were heterodox in themselves but because the very inquiry into church history historicized orthodoxy. The Republic of Letters (in this context the Huguenot diaspora centered in the late seventeenth century Netherlands and wholly different from la république des lettres that would emerge in France half a century later) (3)came to be seen by some as more than an international community of scholars. Jean Le Clerc viewed the intellectual community almost as a secular church, whose object of worship was not Christ and the redemption wrought through his death and resurrection but the mere discussion of theological possibilities past and present. Throughout Volume One Pocock emphasizes the "Enlightenment as a response to Calvinism" (1:111) and "Enlightenment as the anti-Nicene consequences of a subordination of spiritual to civil authority" (1:295). Arminian scholarship was closely allied with French érudition in terms of method, chronology, and intent. Both placed ecclesiastical authority under the civil magistrate. Note also the chronological component of Arminian and French érudition, which were seventeenth-century traditions aligned with late humanism. Philosophical history emerged only in the mid-eighteenth century, in France as a challenge to érudition and in other places as an augmentation to it. Despite the passing of time the concerns, methods and implications of érudition remained relatively unchanged. Gibbon encountered a similar configuration of antitrinitarian skepticism a lifetime later in Lausanne (1753-62). Throughout his life Gibbon kept a keen interest in theological controversy, particularly Trinitarianism both ancient and modern, and those are themes explored in great depth throughout the Decline and Fall, not only in the infamous fifteenth and sixteenth chapters. Thus far we have two Enlightenments, a Protestant and Arminian Enlightenment, whose "genius of the age" was "civil morality organized as natural jurisprudence and scrutinized by methodical philosophy" (1:87), and a French and Montesquieuan Enlightenment whose genius of the age was "the philosophical explanation of laws, customs and civil behaviour by reference not only to a generalized human psychology and the moral law accompanying it, but to the minds operations under conditions to be reconstructed by late-humanist érudition" (1:88). A third Enlightenment, separate from the French and Arminian Enlightenments but analogous to them in terms of its critique of religious and political authority lay in the northernmost region of Britain. With centers at Edinburgh, St. Andrews, and Glasgow, the Scottish Enlightenment Pocock identifies as a third distinct Enlightenment. One might expect the Presbyterian Scots to fall into the same category as their lapsed-Calvinist brethren to the south, but Pocock understands the Scots as forming a separate intellectual group that emerged from a set of political circumstances different from the Dutch Remonstrants. Nor were the Scottish intellectuals analogous to the French. Unlike the philosophes who established a critical space by observing political power while excluded from it, the Scottish intellectuals held legitimate offices in the church, law, and universities. Moderates, unionists, and whigs to a man, their philosophy was intended to support the established order, not to critique it. The distinction enables Pocock to account for the prominence of histories of civil society and conjectural history that appeared in Scotland in the second half of the eighteenth century. Ferguson, Smith, Hume, Kames, Millar, and William Robertson all wrote in the wake of the united monarchy of 1707, sharing a crisis of political and cultural identity now that Scotland was reduced to a British province. Like Montesquieu the Scots tied the progress of the arts and sciences to liberty and virtue. Yet when Scotland was excluded from the militia system, the Scots felt deprived of that military virtue celebrated by Tacitus that was so important to civil society. Here we encounter one of the many tensions internal to the Enlightenment. The keeping of arms was linked to liberty, also to virtue and citizenship, where the citizen was the man capable of taking up arms in a common cause. The replacement of the citizen militia with the mercenary standing army, necessitated by heavy arms and gunpowder, threatened the traditional concept of virtue and liberty by placing arms in the hand of Leviathan. Yet the consolidation of arms within the State, accomplished by the "absolute" monarchy, marked the end of the wars of religion and allowed polite or civil or commerical society to triumph over both barbarism and religion (1:ch. 4). Gibbon had acquired military experience as a commander of troops in the Hampshire militia in the early 1760s, which he believed gave him an insight to the decisions of Roman generals, but the Scots lacked that experience. Instead the Scots put their energies toward the development of a polite and commercial society. Over fourteen chapters in Volume Two Pocock explores the Scottish form of philosophical history, the history of civil society as written by Hume, Robertson, Smith, and Ferguson. In dividing northwestern Europe into three distinct intellectual regions Pocock is following a suggestion made by the late Franco Venturi over the course of a decade and a half of scholarship (4). Venturi defined the Enlightenment by the presence or absence of philosophes (or gens des lettres), self-appointed secular intellectuals who critiqued society and presented themselves as its guides towards modernity and reform. These types were not to be found in England (although they were in Scotland, e.g. Smith, Ferguson, Millar) before the 1780s and 1790s with Paine, Price, Godwin, and Bentham. Venturi emphasized concurrent developments in republican, Mediterranean Europe (Italy, Iberia, France) and monarchical eastern Europe, but he excluded England from the equation, saying that "in England the rhythm was different." Simultaneously Venturi acknowledged Gibbon as "a giant of the Enlightenment." In his exclusion of England from the Enlightenment of the philosophes until late in Gibbons life Venturi was left with a dilemma. Either Gibbon was no philosophe or he was a lonely figure in England in the 1760s and 1770s. Pocock opts for the former, building on Venturis thesis by finding an Enlightenment in which Gibbon did share, the Arminian Enlightenment. In doing so he dropped the definite article from Enlightenment and pluralized the term. Pocock says that his concept of Enlightenment "has retained the philosophes and their enterprises, the settecento riformatore and perhaps even the Enlightenment Project, as cosmopolitan and Europe-wide phenomena, while denying them the privilege of defining Enlightenment, or Europe, by formulae from which either Gibbon or England must be excluded" (1:295; cf. 1:6, 87). The first volume of Barbarism and Religion, The Enlightenments of Edward Gibbon, is dedicated to the memory of Franco Venturi. No less complex than the several Enlightenments in which Gibbon participated were the historiographic traditions within which he worked. Of these three are relevant. One is antiquarian humanist scholarship à la mode Valla, Erasmus, Lipsius, and Casaubon, which endeavored to discover the lost fragments of antiquity. Pococks shorthand term for this tradition is "érudition." A second kind of historiography comprises accounts of the arts and sciences, manners, morals, and the development of polite and commercial society. Pocock calls this historiographic tradition "philosophical history." Finally there is the historiographic tradition of men and events in the mode of Thucydides and Tacitus which described the res gestae and arcana imperii of great men, holding them up as moral examples in terms of manly virtue and vice. Érudition, philosophical history, and narrative history Pocock has been working on the relationship between these historiographical modes since The Ancient Constitution and the Feudal Law (1957) just as he has been working on the relationship of England between Scotland and France. In the eighteenth century the interaction of these three historiographical modes altered historical writing. Classical narrative was reinterpreted in the contexts presented by philology. Context in turn was placed in the framework of systematic change by philosophical history which saw society developing in stages. The result was a macronarrative of the progress of the human spirit, or as Pocock calls it, "The Enlightened Narrative." The Enlightened Narrative followed the Latin provinces of Rome through the Christian millennium of barbarism and religion, the Christendom of Empire and Papacy, into the emerging Europe of states and manners, commerce and Enlightenment. Each of the three Enlightenments took its own approach to writing the history of Europe. The Scottish account of civil society laid the greatest emphasis on philosophical history. The Arminian Enlightenment turned humanist érudition into a literary republic. In France érudition and philosophical history stood at odds with one another. In Narratives of Civil Government, the title of Volume Two, Pocock sorts out the historiographical contexts in which Gibbon wrote. The synthesis of these three traditions Arnaldo Momigliano identified as Gibbons great achievement, and Pocock dedicated volume II to Momiglianos memory (5). Of these historiographic concerns philosophical history requires particular attention. Philosophical history had nothing to do with metaphysics, epistemology, or minute philosophy. Philosophical history offered a broad view of humanity as it developed through specific stages in its journey from the savage state to Enlightenment and ultimately (hopefully) to perfection. David Hume explained the purpose as well as anyone in a short essay "On the Study of History" (1741). Philosophical history offered the opportunity to observe human society, in its infancy, making the first faint essays towards the arts and sciences: To see the polity of government and the civility of conversation refining by degrees, and every thing which is ornamental to human life advancing towards its perfection. To remark the rise, progress, declension, and final extinction of the most flourishing empires: The virtues, which contributed to their greatness, and the vices, which drew upon their ruin. In short, to see all [the] human race, from the beginning of time pass, as it were, in review before us(6). The trick, at least for Hume and later for Gibbon, was to balance philosophical
history with the neoclassical narrative of high politics, statecraft,
and war. In traditional historical narrative the actions of men remained
arcane, not susceptible to general causes but to the mysteries of the
human psyche. Men and deeds were held up as moral examples of virtue and
vice which young men and rulers would do well to imitate or avoid respectively.
In philosophical history by contrast, the intent was to understand causality
in history. If like causes produced like effects, then philosophical history
could explain what circumstances were conducive to the progress of the
arts and sciences. Modern Europe could then replicate those circumstances
and perpetuate the age of Enlightenment. Unlike the Encyclopedists, Hume
did not mean philosophical history to replace narrative, or, as Pocock
puts it, "cultural history to replace political." But there
were difficulties both literary and scientific in reconciling narrative,
philosophy, and érudition within a single historical work. "The
first concerned the deeds of individuals; the second generated reflections
and digressions, and the third footnotes" (2:185). That is to say,
in Hume (and also Smith, see 2:326) the philosophical history was still
a digression from the narrative which framed and defined his history.
Among the philosophes, and as I shall argue below among certain German
historians, philosophical history itself became the centerpiece. The progress
of the human spirit became the story, not the deeds of men.
I also wonder if in the recent trend toward multiple Enlightenments from Venturi to Isaiah Berlin, then in a different manner to Porter and Teich, and now Pocock we are drawing distinctions that do not necessarily need to be made (10). What strikes me when I read Pococks volumes and other histories written in the eighteenth century is the similarity of interest between authors of different Enlightenments. From Scotland to Naples, from Silesia to Spain historians wrote the Enlightened narrative, the course of history from the fall of Rome to the millennium of barbarism and religion to the recovery of the arts and sciences in the fifteenth and sixteenth century. All of Europe was talking about it. Historians differed on methods, interpretation, and the implications for the future of modern Europe, but everywhere the conversation was the same: Why Europe? What contributed to the progress of the human spirit in Europe while other nations stagnated? What circumstances were conducive to the arts and sciences? Could humanity continue on its course toward perfection? And not historians only. Ethnographers, theologians, philosophers of mind, and naturalists alike looked to the ancient past and to modern primitive societies to understand what lay in the European character that made them capable of their rapid advance from darkness to light. Not only was the discussion itself of European progress of universal interest, but the manner in which it was discussed was also similar. Once one has read several works of philosophical history from the eighteenth century, regardless of language, those works begin to sound the same. The same common places are repeated. In addition to the standard chronology, even the topical organization was the same: the arts fine and mechanical; the sciences natural and human; commerce and navigation; government, law, and warfare; manners, customs, and religion. This story generated surprisingly (at least to me) little debate in terms of the common places of history. The debate occurred less over Europes past than over its future. How one used those common places depended on where one believed European society was headed in the eighteenth century. Would the age of Enlightenment continue, or would Europe descend into decadence and follow the ancients into decline and fall? In Chapters Twelve through Fifteen of Volume Two Pocock juxtaposes the philosophical and narrative aspects of Humes History of England. Rather than juxtaposes I should say subordinates. The philosophical aspects provide the context and offer an outlet for the authors reflections on the narrative of men and deeds. The philosophical sections are digressions. The narrative is the centerpiece. How would the story change if in this discussion of Hume Pocock had emphasized rather than subordinated the philosophical history aspect of the History of England? In addition to the narrative written in the mode of Thucydides ("masculine history," Pocock calls it, 2:203), Hume paid considerable attention to topics designed for a female audience (see 2:180-85), the rise of the arts and sciences and the progress of the human spirit. This philosophical aspect, if emphasized, would bring Hume into commerce with France (where he of course lived for a few years) and would open the door to Germany and even to Vico. In other words, rather than distinguishing between different Enlightenments, the Herodotean side of Hume would enable Pocock to see the Enlightenment as a European-wide phenomenon with different characteristics in different regions but with all of Europe concerned with similar issues related to the rise of civil society. Pocock could have told this story in Volume Two around pages 203-205, but he aborted the discussion and returned to Thucydidean history. Pocock treats the Herodotean face of Humes history as the context of the Thucydidean emphasis. Pocock is not incorrect in his emphasis. He treats the introduction to William Robertsons History of Charles V ("View of the Progress of Society") in a similarly to Humes History of England, as philosophical history that lays out the framework in which the great men accomplished their deeds. Nevertheless the History of England is full of explanatory accounts of moeurs and esprit. Both Robertsons "View" and Humes History are similar to Voltaires Essai sur les moeurs in their philosophical in orientation. If Pocock had emphasized the philosophical aspects as novel to the eighteenth century rather than the more traditional narrative, then the historiography of Enlightenment might look different. His emphasis is so because he is building the case that Gibbon resolved the Momiglianan dilemma by synthesizing érudition, philosophical history, and narrative. However the philosophical component of that equation is the only one that was newly invented in the Enlightenment. By emphasizing the novelty of philosophical history and by showing that philosophical history was written by authors in all three Enlightenments, we might be able to avoid cloistering the several Enlightenments into their own separate compartments. In Scotland we have Hume and Robertson writing philosophical history along side of or as a prelude to their historical narratives of the rise of modern civil society. In France we have Voltaire and Montesquieu and others writing philosophical history to account for le progrès de lesprit humain. In Germany also we find a similar trend histories of the arts and sciences, commerce, trade, military arts, manners, religions, and civil constitutions also to explain the rise des menschlichen Geistes. J. G. Herder was well aware that a complete understanding of humanity in general and European society in particular could only be had by explaining the simultaneous development of all aspects of society. The totalizing method of philosophical history lies at the heart of his most important works that appeared in the 1770s and 1780s (11). Although written in a context other than that of France and Scotland, Herders philosophy of mind was specifically a philosophy of mind in society. As such he was interested in the same themes as Hume and Robertson, Voltaire and Montesquieu and he knew their work well. When the Germans and Herder was far from alone in this distinguished philosophical history (they called it Menschengeschichte) from "universal history" that recounted the history of events and rulers, they consciously rejected the tradition of narrative for the history of the human spirit(12). They not only responded to the same set of concerns that motivated philosophical history in several languages, they thought in similar categories and employed similar methods also. Why this similarity of interest in the eighteenth century, in several regions that developed unique Enlightened critiques from indigenous political and religious traditions and circumstances at about the same time? We know THAT historians from three different Enlightenments wrote the Enlightened Narrative in philosophical mode. We would also like to know WHY. Why then, and why so suddenly? Gibbon might not have known what was happening in German scholarship as he prepared the Decline and Fall, but that does not mean that his work cannot be fitted into a broad context of a scholarship with markedly similar concerns despite their different provenance. The more interesting question here is not which authors exerted a direct influence on Gibbons Decline and Fall but what was happening in the several Enlightenments that authors from each used the same kind of philosophical history to explain something about their world. I.e. what was it in the European mind that provoked so many similar histories from authors each of whom claimed to be doing something never done before? I suspect that when writing about antiquity or when writing European history in the philosophical mode, Enlightenment authors were not writing about the other so much as they wrote about themselves. If it can be said, as have Mabillion, Block, and Pocock, that within texts can be found meanings never intended by the author, meanings that mark that document as a product of its age, then surely we can apply that principle to the philosophical history of the eighteenth century. Gibbons is not the only history of the decline and fall of Rome written in the last third of the eighteenth century. Certainly his is the most famous, but a number of other scholars wrote similar works. While their achievement may not be of the magnitude of Gibbons nevertheless the proliferation of essays on Roman decadence in the eighteenth century I believe indicates something about the mindset of the age that a close look at a single work misses. Why the interest in Rome? Was it simply the logical result of three centuries of humanist education in which school boys learned the lives and characters of first-century B.C. Romans so well as to affix the latters identities to their own? (13) Or was it the result of broader classicizing tendencies in eighteenth-century European culture generally? Neither accounts for the interest in the later Roman Empire, in Roman decadence rather than grandeur. The concern with decadence in antiquity was not limited to fourth century Rome. Scholars wrote on the ruin of Roman Republicanism and on Greek decadence as well. When we consider two perspectives philosohical history that followed broad structural changes in society and the history of decadence in the ancient Mediterranean and elsewhere we can triangulate from those perspectives to identify an underlying motive: Fear Fear that moderns would go the way of the ancients. Let me illustrate the conjunction between Enlightenment on the one hand and decline and fall on the other with the example of one of Gibbons German contemporaries who also wrote on the decline and fall of Rome in the 1770s and 1780s, the now-obscure Göttingen philosopher Christoph Meiners. Meiners was actually relatively well-known throughout Europe in the late eighteenth century. A corresponding member of scientific academies in Pavia and Moscow, his work on the Origin, Rise, Decline, and Fall of the Arts and Sciences in Ancient Greece was hailed by its French translator who said that "of all the modern works on Greece, none are so informative as those of C. Meiners in terms of discernment, sagacity and true philosophy"(14). John Gillies considered the same work "one of the most valuable and accurate treasures of Greek learning contained in every modern tongue"(15). To Meiners the question of Europes future lay in that bond between individual and society identified by Tacitus and emphasized by Montesquieu and the Scots, virtue. Meiners came to the conclusion in the course of his studies of antiquity particularly Greece that virtue was the only thing that made people happy. Not wealth, nor power, nor even learning (16), but virtue distinguished the happy person. "Anyone else," he wrote, "was like an unbridled horse" (17). Meiners of course was hardly novel in his emphasis on virtue. Historians of all political stripes, whether moderates like Ferguson, conservatives like Burke, or republicans like Catherine Macauley, were intent on either recovering or perpetuating virtue. Of what that virtue consisted specifically is difficult to determine in many authors. Ferguson was relatively clear, and Pocock devotes a chapter to the formers notion that virtue in a raw form was present in the barbaric (i.e. nomadic) stage of the Germanic nations existence (18). Greece originally was settled by virtuous nomads from central Asia as was Rome, and Rome was overthrown by barbarians from the European forests. In all three cases, wrote Ferguson, new barbaric energy and virtue was not stifled by the advance of culture. Rather the cultivation of society, the rise of the arts and sciences, channelled that raw energy and allowed virtue to emerge more fully than in the nations original condition. Meiners similarly wrote of virtue and the barbaric stage. He pointed out that the ancient authors were virtually unanimous in harkening back to an earlier period in the nations history when its citizens had been more pure and virtuous than they were at present. He found that mythical sayings and epic dramas all set the period of virtue and happinesss before the discovery of agriculture, when the happy innocent person won all that he needed from the hand of nature or the beneficence of the gods. Meiners placed the period of greatest virtue among the Greeks, Romans, and Germans a bit later the happiest and most virtuous period in Athenian history was the age leading up to Pericles; in Roman, the age between the struggle of the Orders and the Second Punic War; in Germanic, the early age of migrations as the Germanic tribes were just coming into contact with the Roman frontiers. In each case there was very little wealth and no luxury to speak of. The arts and sciences were hardly cultivated. The society relied more on agriculture than on commerce. Most and the best citizens spent the bulk of the year on the land where they had larger and more beautiful homes than in the cities. The early history of the Greeks, Romans, and Germans showed that nations without the arts and sciences could construct wise laws, good constitutions, a high degree of virtue, security within the community and honor to those observing them from outside, and a considerable degree of domestic and public happiness. Travellers reported similar societies, uncultivated yet virtuous and happy in the modern age. One described a happy, healthy, and strong people entirely devoid of the arts and sciences living in the mid-eighteenth century beyond the Hebrides (19). A similar report came from Nantucket where the people were literate yet simple and avoided all religious fighting despite a population two-thirds Quaker and one-third Presbyterian (20). In every case Greece, Rome, Germania, the Hebrides, and North America an uncultivated people found happiness without wealth or luxury, without the arts or sciences. The source of their happiness, Meiners believed, was virtue. The progress of the human spirit, if there should be any lasting progress at all, could only be had by a virtuous nation. Yet in each case the victor assumed the decadence of the vanquished. In each case wealth came too quickly and too easily. Decay did not set in immediately or at least it was not apparent. The men and women who won the victory maintained their love of liberty even as they enjoyed the spoils of their victory. But they neglected to raise their children with the same strength of character. Decadence was insidious, infecting the second or third generation. Gibbon fixed the second century A.D. as the period in the history of the world during which the condition of the human race was most happy and prosperous (21). Meiners gave that designation to the other end of Roman conquest, on the eve of the Second Punic War (22). The Roman Senate never acted with more wisdom than during that crisis. Roman generals were never more clever, and the army of free farmer-soldiers was never so willing and obedient even in the face of almost certain death. Roman morals, fear of the gods, and trueness to oaths were at their pinnacle. Yet already in the victory over Carthage one could see the seeds of Roman decay. Now master of the western Mediterranean, Rome became instantly wealthy from the spoils of war. Wealth brought luxury, and luxury brought decadence. Describing Romes subsequent conquest of the eastern Mediterranean Meiners wrote, Every step the Romans took in Greece and Asia was a step toward their own destruction. And every glorious expansion of their power brought them closer to their downfall, as the conquered nations contributed both their wealth and their vices or awakened new unbridled desires and yearnings in [the Romans] (23). Over the course of several volumes Meiners wrote the cultural history of Roman decadence (24). Graecia capta ferum victorem cepit as games, singers, dancers, pantomime actors, delicate food, banquets, art, mystery religions, homosexuality, and general sexual license flowed to Rome. The spoils of war made Rome so wealthy that at one point the Senate could offer the payment of tribute to the entire nation. With the growth in material wealth came other forms of decadence. Rome had too many slaves, so many that slaves outnumbered free Romans, and Meiners pointed out the effect of their sheer numbers on Roman morality and virtue. Still there was not enough honest agriculture in Italy, so Rome developed a dependency on foreign grain. Romans spent their wealth even faster than they plundered it from the provinces. Patrons put on public entertainments, the games, banquets, and handed out food to the poor. The result was "enormous debt." By the first century B.C. both men and women were deeply implicated in Roman decadence. A result of the depravity of both sexes was the neglect of child-rearing. Lacking male role models, young men grew up weak and cowardly. Eloquence and legal aptitude declined as did the ability of Romans to fight. Meiners described the rise of mercenary armies, recruited from the provinces, where many soldiers never saw the city they were defending. The Roman constitution was ruined by the decadence of the rich, the poor, the citizens, the military, women, men, and children alike. In his Roman histories Meiners did not say a word about contemporary Europe. There were many analogies that he could have drawn concerning the influx of wealth, the inequality between rich and poor, excessive luxury, standing armies with no stake in what they were defending, decline of morals, the acquisition of colonies, the morality of slavery, and the price of grain, the result of which was civil war, chaos, and the seizure of power by a few. Instead he left it to his readers to make these connections themselves. Yet in the 1780s and 1790s the study of the decline and fall of the Roman Empire was not value-free. Two decades after Gibbons first sojourn in Lausanne and a year before he would return to take up residence with his friend Deyverdun, Meiners visited the Pays de Vaud including Lausanne and, in August of 1782, Geneva. Order had been restored there following the revolution only shortly before. The city was still occupied by Bern, France, and Savoy, and Meiners reflected on the causes of revolution there. As in Greece and Rome in the past and France in the future, the cause of revolution was moral depravity (Sittenverderbniß). Romes tragic flaw was revealed at the height of Roman virtue (during the Second Punic War). In Geneva Meiners traced the origin of the revolutions to a 1738 edict that opened the guilds, allowing any Genevan to practice any trade or craft. Prima facie this was a good thing as it enabled people to open manufacturing companies and factories, which increased population, prosperity, and also Enlightenment. Very quickly one of the smallest states in Europe became one of the most Enlightened. However the Genevans extraordinary industry soon generated what he called an anti-republican inequity of wealth and the accumulation of millions in individual hands and families (25). The envious masses began to mimic the wealthy, who were also the least moral, and the whole city was engulfed by immeasurable greed and lust for wealth, virtue-killing unbelief, and a relentless hatred for the ancient constitution that entitled the rich to no more rights than the poor. The root causes of the revolution in Geneva were not political events or even ideology but the loss of morality due to a change in mindset, due in turn to the rapid influx of wealth. Unearned wealth and an accompanying taste for luxury, which is characterized by selfishness, that is by seeking ones own personal good ahead of the commonwealth this was the cause of decline and fall in both Athens and Rome, in Geneva and, Meiners warned already in 1782, probably also in France. Meiners discussed the number of splendid houses, virtually palaces, owned by the wealthy in one section of Geneva, which contrasted with the squalor in which the poor lived. He described the speculation in rents by Genevans who owned investment property in their own city and as far away as Paris. Poor wage earners looked with envy on the lifestyles of the rich and famous, and they did their best to imitate them but to their own detriment. Textile workers and watch manufacturers dressed well beyond their means, and changing fashions in the burgeoning cotton industry encouraged them to neglect even their own nutrition for new clothes. The new prosperity made even the clergy self-seeking. The youth grew up in such splendid houses that they were no longer willing to make the sacrifice of joining the clergy, and the rare person who tried to uphold the old Calvinist discipline looked like a character from a Voltaire novel. Through splendor and moral decay the clergy had lost its influence, and, lacking honorable men in the clergy, religion and good morals declined. Meiners pointed to disorderliness in church services and the ease of divorce as examples. And always underlying the moral decay was unearned wealth: too many millionaires, too many splendid houses, huge amounts of money flowing into Geneva. The more industry grows and wealth increases, the more also luxury and moral decay also increase, and one is tempted to draw a maxim that trade and industriousness are disgraceful [!] and that only a gradual increase beyond the [...] things possessed by ones forefathers is honorable and decent (26). Meinerss reflections on decadence in Geneva were written just as he was concluding several studies on decadence in antiquity, and it is not coincidental that he found similar effects produced by similar causes. When Meiners thought of Rome he also thought of Europe. When he wrote philosophical history, he still wrote in the mode of classical narrative, finding moral examples to be imitated or avoided not in the deeds of great men but in the transformations of culture. It would be interesting to know whether Gibbon thought in the same way. Were the six massive volumes that appeared over twelve years that spanned three Enlightenments and synthesized as many historiographical traditions the result of an epiphany that occurred on the Capitoline in the fall of 1764? Or was there a deeper motivation somewhere in Gibbons mind? Can the Decline and Fall also be made to reveal more than its author intended? Barbarism and Religion bears very careful reading and reflection. It is lengthy, indulgent, and written in a lofty style. Pocock has filled two volumes, and he has not yet even made it to the Decline and Fall. At the same time these volumes are a pleasure and exciting to read and bear much food for thought. We eagerly await the third instalment Barbarism and Religion III: The First Decline and Fall. Michael C. Carhart
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